But Prufrock knows too much of animation story to "dare" an approach to the woman: In his foreland he hears the comments others make about his inad equacies, and he chides himself for "presuming" emotional fundamental interaction could be possible at all. The poem moves from a serial of evenhandedly concrete (for Eliot) physical settings--a cityscape (the famous "patient etherised upon a tabulate") and several interiors (womens arms in the lamplight, coffee spoons, fireplaces)--to a series of vague ocean images conveying Prufrock...If you want to pack a full essay, order it on our website: OrderCustomPaper.com
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