Jaques Louis David Essay -- Art History Neo-Classical

1. IntroductionSet on a stage of rotary motion and Enlightenment, the Neo-Classical period presents a broad and interesting topic. Jacques Louis David was the first political painter, and a true revolutionary, but unrivaled cannot disengage his art work from the companionable and political systems of the period. Therefore, this essay will present an overview of the social context and systems of Pre renewal France, Neoclassicism and how Davids work was influenced by it and how his work influenced it. Also important to commemorate are the art work that influenced Neoclassicism.2. Social and Artistic Climate in the 18th Century2.1. NeoclassicismNeoclassicism refers to the style of painting, sculpture, decorative arts and architecture use from about 1773. Neoclassicism was, at first a reaction to the triviality of the fancy style, which was seen as selfish, decadent and with no regard for society. Throughout the seventeenth century, and during the rococo period, the French Academy promoted a more genuine style. It was because of this that French artists of the late(a) eighteenth century accepted the New Classicism that was to be the side by side(p) popular style.The Neo-classical period was influenced by two major features The first was the with child(p) influence of Nicolas Poussin (1593/4 1665). Cardinal Barberini commissioned Poussin to make drawings of all the classical art and architecture he could find, which had a great impact on his subsequent work. His work was ordered and view, he did not, record nature as he found it, but instead organised natural elements and figures into idealised compositions (Stockstad and Cateforis 784). An example of his classically arranged Landscape is Landscape with Saint rear on Patmos (1640, inunct ... .... Simplicity and soberness of the composition allowed David to create a sense of martyrdom and spirituality in the face of the dead man. sequence there is a definite Neo-Classical (Poussinesque) influence on th is painting, it bares a touch resemblance to the Baroque painting by Zurbaran entitled Saint Serapion (1628, Oil on canvas). David was in full control of the art of France by this stage.5. lastFrom conformist to revolutionary, David dominated the face of art during the Neo-classical period and for many historic period after. His extensive teaching network perpetuated his ideals and values into many students who continued in his line. David personally trained many of the important artists that emerged in the early 1800s. His representation is evident in The portrait of Jean-Baptiste Belley (1797, Oil on canvas), by Anne-Louis Girodet-Trioson, one of his pupils.